Can’t See the End
Can’t See the End
Can’t See the End
I wasn’t really sure where I was going with this shot, I just liked the way the light fell through the partially open doors. Then my dogs decided they wanted to see what I was doing and this is the result. I’m not exactly pleased with it but I am amazed they stood still enough for the two second exposure.
Missing Switch
Finch Building
Firehose Revisited
Around The House
Courthouse Square
As beautiful as color photography can be, it never gives me the chills like a master black and white image can. There is nothing quite like the tones in a black and white photograph to invoke that emotional response, the beauty lies in it’s simplicity, yet creating that monochrome image takes so much more skill than shooting in color.
Even in my own photographs, the color ones I shoot don’t have quite the same meaning or even feel quite right as the black and white images.
Ansel Adams was the innovator of black and white tones and while many of the old masters created wonderful compositions they didn’t quite have the tonal quality that Adams had. As much as I love Elliot Erwitt’s wit or Henri Cartier-Bresson’s “decisive moment” or Eisenstaedt’s photojournalism, it is always Adams that stands out for me.
And with all that, being it Adams, Erwitt, Eisenstaedt, Weston, Eddie Adams and the myriad of other masters of photography, I have yet to see a color photograph that even comes close to being what a photograph should be. All the color sunsets and flower photos in the world can’t hold a candle to this. (This will most likely be the only image I post here that I did not create)
An oldie, scan of a print shot with Tri-X.